Guru in Shaiva parlance is
Shivaguru
or sat-guru. He is Shiva, acts
as
Shiva or at the behest of Shiva.
A
devotee or his disciple bows to
him in
absolute supplication for having
set
him onto the trail of Shiva and
cultivated
him into a frame a pre-requisite
to recognise his pristine nature
of Shiva.
In his highly acclaimed
commentary
on Shiva-Sutra Khemraj informs
that guru is one who teaches
Reality
or Truth (grinati updishyati
tatvikam artham iti guru). He
reveals
the potencies of mantra to his
pupils (sah
guru...mantra viryi
prakashakah). In
spand-karika
Bhatta Kallat eulogises his guru
for
the benediction of ferrying his
boat
across the ocean of doubts (agad
samshai ambodi sam utran
tarinam) through
his illuminating
teachings. In Malinivijay Tantra
guru
is described as one who fully
knows
the essentials of thought
(Kashmir
Shaivism) he is wedded to and
throws light on the power of
Mantras.
In the same Tantra guru is said
to
have power of grace (parmeshwari
anugrahika shakti).
If pleased with
his disciple, guru reveals to
him all
the hidden truth about 'matrikacakra'
which exactly as per Shaiva
thought is Shiva's manifestation
of
the universe from the first
letter 'a'
to the last letter 'h'
comprising Sanskrit
string of letters.
No knowledge without guru (guru
bina na jnanam) is a
cliched statement
underpinning the vital
significance
of guru in the attainment of
Jnan which is Shiva-consciousness.
Guru as an embodiment of
spiritual
knowledge and radiance is extra
careful
of not impinging on the sense of
self-worth and self-image of a
disciple.
Guru in the manner of a
psychoanalyst
peers through the mind
(chitta) of a disciple, measures
his
level of consciousness and his
intuitive
quality to recognise his
pristine
nature of Shiva and puts him on
the
highway of quest. A Shiva-Guru
is
more than aware that his
disciple
either a 'muud'
(inferior in consciousness)
or 'su-prabuddha'
(superior in
consciouenss) has a sense of
autonomy.
Without impairing it he cognises
it as a
positive factor contributing to
his spiritual
advancement. Keen to awaken his
disciple to the inward reality
of 'self'
Guru replenishes and reinforces
all what
his disciple has as it is deemed
fundamental
to 'self' and its cognition.
Concerted
effort on part of guru is to
expand
and broaden his sense of
self-worth, selfimage
and autonomy which are limited
and inhibited because of his
conditioned
existence of an 'anu', a bound
jiva.
Shiva guru, even if a monk,
assiduously
prepares his disciple for the
world.
He in no way commands him to
robe
himself after the manner of a
recluse
(sanyasin). He tastefully
sublimates, refines
and tempers the attitudes and
proclivities
of a seeker for a balanced mind
which acts as a receptacle for
flashes of
Shiva-consciousness. The
microcosmic
body along with its multiple
senses and
potentialities are harnessed and
not
suppressed as Shiva-guru is for
affirmative
view of life and world. A seeker
remains
in the world, a meshy layer of
dualities, and gains an insight
into his
original nature of Shiva right
in the
world. No prescriptions are
there to
abandon the world and live the
life of a
recluse.
What concerns Shiva-guru most is
that he moulds his disciple in
sync with
his cultural bequest and
cultural setting.
He roots him in the indigenous
soil
he is a product of and
reinforces his linkages
with the same roots. His icons
are
native, his gods are native, his
holy
places are the Shiva-dhams littered
over the whole native place and
his
world-view belongs to him as a
legacy.
He worships water flowing in the
vitasta
and his logic is not rock-hard
as is found
in desert cultures. Shiva-guru
firmly
rooted deep down in his native
soil enriches
and fertilises the broad swathes
of spiritual way of life through
his teaching
and preaching based on
catholicity
of outlook and broad values of
humanism.
To him, Shiva is world and world
is
Shiva. It is a philosophical
position
which shocks the believers of
rock-hard
logic that narrows the space for
pluralistic
ways of life and pluralistic
ways of
thought.
Guru as an expert in the Shaiva
academics
expands the intellectual
horizons
of his pupil, sharpens his
thinking
abilities and leads him with an
awakened
mind and brain to attain his
spiritual
destiny of Shivahood. A constant
interaction between a pupil and
his guru
is the mechanism through which
the
pupil learns about metaphysical
issues
along with their complexities
and intricacies
and removes cobwebs of his
doubts and misunderstandings and
the
guru exposits all the
fundamental issues
of the thought-model he actually
symbolises. All the line of
Shiva-gurus
from Vasgupta to Bhatta Kallat
to
Somanand to utpaldev to
Abhinavgupta
and last but not the least Swami
Laxman Ji Maharaj have been
remarkable
theoreticians of Kashmir
Shaivism.
Scholarship and Shaiva-Yoga have
been
two facets of all the
Shiva-gurus. Jnan
(knowledge) and self-recognition
(spirituality),
to them, have not been
dichotomous.
Shiva-guru is essentially a man
of
culture. His aesthetic faculties
are
sharp and tempered. Invested
with profound
knowledge of the whole spectrum
of heritage he revitalises and
refurbishes
it through an interactive
process of imbibing
and interriorising the reigning
values and critically analysing
and
evaluating them. Revitalisation
and
perpetuation of the contours of
native
culture is the leit motif of a
Shiva-guru.
Abhinavgupta, a profile thinker
and
siddha purusha was an exemplary
aesthete.
Having thoroughly studied
aesthetics
as a component of the extensive
mosaic of Indian culture at the
lotus feet
of his erudite guru, Tota Bhatt,
he made
a precious contribution to the
realms of
aesthetics through his
path-breaking
commentary on Anandvardhan's
'Dwanyalok' from a Shaivite
perspective.
Guru, in sum, is an aesthete and
deals with the finer stuff of
beauty. Most
of the Shiva-gurus have been
deep-set
lovers of music, drama, dance
and poetry
and used them as resource to
share
the finest aesthetics of Shiva
as the
source of beauty.
Much like six systems of Indian
philosophy
Kashmir Shaivism is not only a
logically structured model of
thought
but also contains a whole range
of practices
for the realisation of spiritual
destiny
of a seeker. Shaiva-Yoga what
Kashmiri Shaivites call it is a
regimen
of practices for all types of
seekers having
individual differences. Guidance
and
initiation of an accomplished
Shivaguru
or satguru is a must for all
types of
seekers at various levels of
consciousness.
Shiva-guru unhesitatingly
showers
grace (shakhtipat) on an
aspirant who
is extremely awake and has
inituitive
ability to recognise his real
swaroop (nature)
of Shiva. His mere look at the
aspirant
works as an alchemy that melts
his dross (malas) encasing him
and frees
him from knots and complexes
that bind
him as an 'anu' or 'pasu'.
Guru's grace on
such an aspirant is without
reason and
logic and totally un-asked for.
Guru's
shakhtipat (grace) on an
aspirant means
his mergence (samavesh) into Shivaconsciousness.
Such grace for Shivaconsciousness
is known as 'Shambhva'
methodology. Khemraj puts in his
commentary
on Shiva-Sutra-akinchit
chintakasya guruna pratibodhata
Jayate yah samavesha
shambhava asau udahritah
Deficient
in inspiraion and intiative
faculty
Shiv-Guru puts
such an aspirant to a
regular and uninterrupted
practice of
knowing his innate reality. He
is taught
and directed to imagine himself
to be
Shiva only and that alone as his
reality.
A sort of auto-suggestive
technique this
type of Shaiva-Yoga is known as
shakhta-yoga,
bhavanana-yoga or
chitta-sambodh yoga.
--Malinivijay Tantra writes.
uccar rahitam vastu chetsa eva
vichintayan
yam samavesham aapnoti
shaktah so atra abhideyate
An aspirant innately having low
level
of consciousness and steeply
mired in
the gross stuff of the world is
prescribed
anava-yoga.
Shiva-guru in view of his
deficiences introduces him to a
regimen
of pranaym
(breathing exersises) and
dyan,
concentration on an icon, a
mantra or a syllable. Such
practices
raise his level of consciousness
so as to
motivate him for higher levels
of
methodologies for attainment of
mergence (samavesh) into or
identity
with Shiva.
Guru is a liberator, uplifter
and
path finder of the aspirants who
are
intensely motivated to pursue
the
path of spiritual quest. He Is a
crutch
to those who are lacking in
Shiva
consciousness. Guru, more than
most,
is a vital link between a seeker
and
his ultimate destination. His
relations with his pupil are the
same
that we witness between father
and
son. Ved Vyas labelled as 'vishal
buddhi' tyPifies
guru. 'Vyas
purnima' as a
commemorative date
stands enshrined in the calender
of
Kashmiri Pandits, which is
nearly
5000 year old. Guru in reality
is
Brahma, Vishnu and Mahesh.
As revealed by her treasure-
trove
of Vakhs it can be said with
certitude
that Lalla Ded had intense
spiritual
sensibilities which were tapped
for
final fruition by her guru,
Sidda
Srikanth. A name in Shaiva
thought
and Shaiva Yoga, Sidda Srikanth,
was the family guru of Lalla Ded.
In
the style of Shiva-guru he had
continuous sessions of debates
and
discourses with her with a view
to
sharpening her philosophical
clarity
on issues relevant to the Shaiva
thought. Lalla Ded flumoxed her
guru
when she interpreted 'prakash'
luminosity, tirth-holy place,
'bandhav'-real kins and 'sokh' a
pleasurable feeling in a manner
that
completely contradicted the
views
that he harboured on them. It
was
sufficient to convince Siddha
Srikanth
of the philosophical mould of
Lalla
Ded.
In one of her extra-ordinary
discourses with her guru Lalla
Ded
unequivocaly conveys that Siddha
Srikanth was a man of
omniscience,
had recognised his Shiva swaroop
(real nature) and was possessed
of
calm and collected mind. She
begged
of him to give her refuge and
anchorage as she was
love-consumed
quite keen to merge into the
ocean of
Shiva's bliss. She also drew his
attention to the evanescence of
time
and implored him to initiate her
and
others present at the time of
debate
without loss of time. Says Lalla
Ded
Syada mali syado syada
kathan kan thav
kal ava kuthan ta kariv kyaha
In a candid vein Lalla Ded
conveys
that she pestered her guru
ruthlessly
to explain to her the nature of
the
'Nameless' and in the process
got tired
and exhausted. Then she conveys
her
impression that the 'nameless'
is the
source of something (universe)
which
lies submerged, there in an
undifferentiated form.
gwaras pritsham sasi late
yas na kenh vanan tas kyah nav
pritshan pritshan thachista
loosas
kenh nas nisha kyah tam draw
!!
There are ample internal
evidences
available from Lalla Ded Vakhs
that
she through her regular
interaction
with her guru, Siddha Srikanth,
who
is parmeshwar to her, allayed her
doubts and misgivings about
metaphysical issues and
Shaiva-yoga praxes. She
implores him to teach her
(grinati
updishati tatvikam
artham iti guru)
the secret
about pran and apan as to why
one is hot and the other is cold
though both rise from the same
region. says Lalla Ded
he gwara parmeshwara
bhavatam cheya chuy
antar vyud
dwashivai whopdan
kandpura
ha-ha kwa turn ta ha-ha
kwa tot
Pran and apan are the two
lexical words in all versions of
Yoga. But, Lalla Ded during the
interaction is promped to know
about the Shaiva meanings of
these two lexical words. In
Shaiva Yoga the lexical word
'chandrama' denotes the breath
emerging from outer dwadashant
moving towards
'hridaya' and the breath
emerging from inner
dwadashant (hridaya) moving
towards outer-dwadashant.
The first is apan-breath and
the second is pran breath. The
breath moving outside (pranvayu)
is naturally hot. It is at
the 'hridaya' that apan-vayu
halts and pran-vayu emerges.
In the same way it is at the
outer-dwadashant that pranvayu
ends and apan-vayu
emerges. Both pran and apan
vayus are the gross forms of the
original all-pervading 'pranshakti'.
In his classical work 'Ascent
of Self', Prof. B.N. Parimoo has
characterised the said-Vakh as
a soliloquy, posing the question
and answering it herself. But,
the author of the write-up after
due thought does not agree to
the view of Prof. Parimoo. The
second line of the Vakh-
"bhavatam
cheya chuy antar
vyud" is
significant which
surely conveys that she wants
her guru to express (bhavatam)
his own views on the Shaiva
Yoga meanings of pran and
apan vayu as he has knowledge
about it and knows about it
experientially.
Lalla Ded having undergone
numerous sessions of
discourses with her Shiva guru
for awakening and sharpening
of her Shiva-consciousness was
finally imparted 'diksha' which
in the words of Ram Kanth, a
noted Shaiva scholar of
Kashmir, is a sort of
consecration ceremony only to
initiate one into the higher
life,
bestowing on the initiate the
boon of self-knowledge and
casting away the dirts due to
sense of difference
(swaroopasambodhadanatmako
bhedamayabandha -
ksapanalaksansca samskarvisesah).
Lalla
Ded
had diksha, an initiation
through a 'vachan", which
means a word (vachak pad)
embedded with denotative
meaning (vachya). The
embedded meaning as
conveyed by the line (nebra
dopnam andar acheun) is the
reference to the senses as
shackles (pasa) which are to be
withdrawn for attainment of
Shiva-consciousness.
Though Lalla Ded has used
'mantra' in many a Vakh, yet
in the small Vakh under
reference she uses 'kunuy
vachun' which is for mantramantra
varnatmakah
sarvey sarvey varnah
shivatmakaha Mantra
comprising impregnated letters
or symbols are pointers to
'ahanta', I consciousness of
Shiva. What Srikanth did with
Lalla Ded through 'kunuy
vachun' or Mantra was to direct
her mind (chitta) to 'ahanta',
Iconsciousness
of Shiva. In
Shaiva Yoga mantra is the
main shakhtopaya for
selfrecognition
(pratibijjna).
The 'kunuy vachun' or
mantra deeply impacted her
psycho-physical frame
throwing her into a convulsion
of joy and ecstasy (tawai
hyutum nangai nachun).
The vakh reads as
gwaran dopnam kunuy
vachun
nebra
dopnam andrai
achun
Sui Lalli gava
mea vakh
ta vachun
tawai hyutum nangai
nachun
The word of Shiva-guru
which is mantra, divine power
clothed in sound, coupled with
the ritual of cleansing of her
body and mind with the holy
waters of Ganga as the symbol
of absolute purity led Lalla Ded
to attain Shivahood while in
life, thereby conquering the
fear
of death.
Sings Lalla Ded:-
gwara kath hridayas
manzbag ratam
ganga zala navum tan ta
mann
Sodih Jeevan mokhtai
provum
yama bhayi cholum polum
arat
Motivated with a deep
sense of responsibility unto
others Lalla Ded declaims that
absolute trust and faith in the
word of Shiva-guru, his mantra,
the ever fleeting mind under the
control of Jnan
(Shivaconsciousness), the
outward directed senses
completely pacified and calmed
are the gateway to final bliss
(anand) surmounting the
existential fear of death and
anybody generating fear by
putting a man to death.
Says Lalla Ded:-
gwara shabdas yus yach
patch bare
gyan vagi rati chyath
torgas
yandrai shomith
anand
kare
adakus mari bai maran
kas
The internal evidence of the
vakhs does not buttress the
view that Lalla Ded's case was
that of guruna pratibodtah',
generating 'samavesh',
mergence into the ocean of
Shiva consciousness,
characterised as 'shambava
upaya'.
What I have gleaned
from all versions of Vakhs is
that her guru had mapped her
ascent step by step and stage
by stage. She had tried the
methodoligies of 'anava yoga'
which stress measures like
pranayam, concentration
(dyan) on some form of icon or
any other symbol as suggested
to her by her venerable guru
and pilgrimages to holy places
for purification of mind and
body. Because of her deep sense
of 'loss and married life pain'
as a result ship-wrecked
married life Lalla Ded must
have deep disturbances (ksob)
agitating her mind (chitta). So,
taking up the anava
methodology was necessary to
pacify her mind and steadily
she must have been led to
adopt 'shakta' methodologies to
develop a frame necessary for
further ascent of being one with
Shiva.