Rabindranath Tagore
Shining Star of Indian Horizon
by Chander M. Bhat
Rabindranath Tagore is considered as India’s
greatest
modern poet and the most creative genius of the Indian Renaissance. His life
span was roughly coeval with that of British imperial rule in India. He was born
on 7th May 1861 at the Tagore family home in Jorasanko, Calcutta, in a rich and
talented family that had already begun to make its mark on contemporary society.
For the elite of undivided, Bengal it was an exciting time, despite the British
presence, and indeed partly because of the new things that were happening
because of that very presence. The name Tagore is an anglicized version of
Thakur, cerebral and aspirated, and is actually a surname that was acquired by
the family only accidentally, the real family surname having been Kushari. In
the last decade of the seventeenth century, Rabindranath’s ancestor Panchanan
Kushari settled in Gobindapur, one of the three villages which went into the
making of Calcutta, and earned his living by supplying provisions to the foreign
ships which sailed up the Ganges. Being a Brahman, he was respectfully addressed
by the locals as ‘Panchanan Thakur’. The family acquired special prestige under
the dynamic leadership of Rabindranath’s grandfather, Dwarakanath Tagore, who
acquired large landed estates, built up a substantial business empire,
fraternized with the European community, and was generous in his public
charities. He was a close friend of Raja Ram Mohan Roy, one of the front-rank
thinders and activists of the Bengal Renaissance. Dwarakanath’s eldest son,
Debendranath, at first enjoyed the luxury in which he had been reared, but then
came a raaction. He was devoted to his grandmother.
Records left of Debendranath’s wife, Sarda Devi,
portrays her as a pious woman devoted to her husband and an astute matron in
charge of her vast household. She cultivated the habit of reading religious
works in Bengali, Rabindranath was her fourteenth child. So Rabindranath was
effectively his parent’s youngest offspring.
Fortunately, Rabindranath Tagore was one of those who go on educating themselves
throughout their lives. He read widely. His enlightened and sympathetic brothers
encouraged him to learn at his own pace and discover things for himself. His
father taught him to love the Upanishads, aroused in him an interest in
astronomy that was to last all his life, and allowed him to combine a literary
career, which did not require degrees, with the management of the family
estates. Rabindranath was well grounded in the Sanskrit classics, in Bengali
literature and in Engligh literature, and also familiar with a range of
Continental European literature in translation. He could read some French,
translated Engligh and French lyrics in his youth, and made enough progress in
German to read Heine and go through Goethe’s Faust. In the end his own extended
family and the state of cultural ferment all around him gave him the environment
of a university and an arts centre rolled into one. It was in a cultural
hothouse that his talents ripened. A man emerged, who had his father’s spiritual
direction and moral earnestness, his grandfather’s spirit of enterprise and joie
de vivre, and an exquisite artistic sensibility all his own.
Rabindranath wrote poetry throughout his life, but he did an amazing number of
other things as well. Those who read his poetry should have at least a rough
idea of the fuller identity of the man. His long life is as densely packed with
growth, activity, and self-renewal as a tropical rainforest, and his
achievements are outstanding by any criterion. As a writer he was a restless
experimenter and innovator, and enriched every genre. Besides poetry, he wrote
songs , short stories, novels, plays, essays on a wide range of topics including
literary criticism,polemical writings, travelogues, memoirs, personal letters
which were effectively belles letters, and books for children. Apart from a few
books containing lectures given abroad and personal letters to friends who did
not read Bengali, the bulk of his voluminous literary output is in Bengali, and
it is a monumental heritage for those who speak the language. Like the other
languages of northern India, Bengali belongs to the Indo-European family of
languages. A cousin to most modern European languages and sharing with them
certain basic linguistic patterns and numerous cognate words, it is spoken by an
estimated 180 million people in India and Bangladesh. When Tagore began his
literary career, Bengali literature and the language in which it was written had
together begun a joint leap into modernity, the most illustrious among his
immediate predessors being Micheal Madhusudan Datta in verse and Bakimchandra
Chatterjee in prose. By the time of Tagore’s death in 1941 Bengali had become a
supple modern language with a rich body of literature. Tagore’s personal
contribution to his development was immense. The Bengali that is written today
owes him an enormous debt. Throughout his life Tagore maintained a strong
connection with the performance arts. He created his very own genre of dance
drama, a unique mixture of dance, drama, and song. He not only wrote plays, but
also directed and produced them, even acted in them. He not only composed some
two thousand songs, but was also a fine tenor singer. He was not only a prolific
poet, but could also read his poetry out to large audiences very effectively.
Many of his contemporaries have attested that to hear him recite his own verses
was akin to a musical experience.
In the seventh decade of his life Tagore started to draw and paint seriously.
Tagore was a notable pioneer in education. A rebel against formal education in
his youth, he tried to give shape to some of his own educational ideas in the
school he founded in 1901 at Santiniketan. The importance he gave to creative
self-expression in the development of young minds will be familiar to
progressive schools everywhere nowadays, but it was a new and radical idea when
he introduced it in his school. The welfare of children remained close to his
heart to the end of days. To his school he added a university, Visvabharati,
formally instituted in 1921. He wanted this university, to become an
international meeting place of minds, ‘where east and west to come and enrich
its life. Under his patronage, the Santikiketan campus became a significant
centre of Buddhist studies and a heaven for artists and musicians.
Through his work in the family estates Tagore became familiar with the
deep-rooted problems of the rural poor and initiated projects for community
development at Shilaidaha and Potisar, the headquarter of the estates. At
Potisar he started an agricultural bank, in which he later invested the money
from his Nobel Prize, so that his school could have an annual income, while the
peasants could have loans at low rates of interest. Tagore does not belong to
Bengalis or Indians only. But the poetry of Tagore has attracted the whole
literary world. In 1913 Nobel Prize for literature was awarded to Tagore for 'Gitanjali'.
Yet the Nobel Prize was definitely a landmark in Tagore’s life. It made him
internationally famous. He reached a worldwide audience, received invitations
from any countries, traveled and lectured widely, acquired foreign friends, and
thanks to his fame, met many other distinguished personalities of his time.
After a life of incessant creative activity, Tagore died, at the age of eighty
years and three months, on 7th August 1941, in the family house in Calcutta
where he had been born. The quality and quantity of his achievements seem all
the more astonishing when placed against the amount of grief he had to cope with
in his personal life. Much of his poetry is necessarily about love and
suffering, about how one copes with loss, and can be called passional
affirmative and celebrative poets of all times.
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