By Suraj Saraf
Very first
thing that strikes one going through the various literary works by Brij Premi is
the wide sweep of the subjects he dealt with and the depth and insight with
which he went into them. Then immediately one felt his love for Urdu, the
language in which he produced his literary volumes was no less noticeable. Still
more one also realised a deep research minded person and an eminent critic and
analytical mind behind these works.
The binding
thread running through these varied traits of his personality was really
Kashmiriat, his great fascination for his bewitching land and its people who in
the foot-steps of the big personalities of the millennia old history of the
valley enriching so handsomely its culture and life, were now engaged in writing
new glorious chapters to keep on those great traditions.
I feel that
this factor, his fascination for Kashmiriat and his constant endeavours to
develop more and more was the most important in enabling him first to get a
good start in the literary field and then helping him to widely diversify
his literary efforts dealing with so many subjects. Of course this highly
beneficial literary faculty was honed by his hard, rather very hard, struggle
to establish himself in life. He was really a self-made man and had spared no
effort to advance in life. Thus though he had a very tough grounding serving in
various positions in the government yet on and on step by step he ultimately
became a reader in Urdu in the Kashmir University. But his real goal on which he
seemed to have set his sights, was literary excellence in its varied
manifestations viz short stories (which was his first step in the literary field
at the age of just 14 when still in school), essays, research, criticism,
analytical studies, biography etc.. etc. but if one has had such a prodigious
output, it is essential that he had ample input, too. In his case this input
involved both study of vast literature and more so the practical study of the
life and its problems which he himself encountered much while rising hard way.
As professor Shakil-Ul-Rehman puts it in the foreword to Mr. Brij Premi’s volume
“Harf-i-Justaju”, "From the very beginning I was much impressed
by his seriousness and his deep-seated habit of always learning something
or other....... Dr. Brij Premi is slowly and steadily expanding his studies
viz history, civilisation, mythology, philosophy, religion; he is
imbibing their high points and expressions which, I am sure, would make his
future writings all the more attractive.........
By his
varied interests not only that the canvas of his critical productions becomes
vast but it also becomes more fascinating, or as one of his other
intimate colleague-admirer puts it, "Mr. Premi’s understanding of life and
its problems was highly mature........He walked about and saw things
happenings around with an artistic vision. He occasionally smiled and
in that smile one noticed the smile of the critic, an artist and a person
who was always prepared to accept new challenges of life, embrace new
initiatives and embark upon one activity or the other and everything he
understood, flowered and matured in to substational work. His books speak
volumes for his artistic talent. Once Dr. Brij Premi himself remarked that
he loved to work more under the influence of struggle, which added new
dimensions to his endeavours.”
While it
wouldn’t be possible to pen in a small write-up if enormous literary output,
even the mere titles of several of his books would-tellingly underscore “his
vastly varied literary interests highlighted in them like "Harf-i-Justaju"
, “Zauq-e-Nazar” , “Chand-Tehreerein", “Kashmir Ke Mazameen” "Jalwa-e-Sadrang”
(The last awarded by J&K Cultural Academy). All these convey wide
spectrum of literary coverage. As for instance take “Chand Tehreerein”: it
has six write-ups on research and criticism, one as travelogue, three
allegories, two on Dev mala, Five on films, five on Nasri marsea and the last
one is a translation or take his “Jalwa-e-sadrang". Its first
nine write-ups, deal with Kashmir in its widely varied facts viz- history,
some prominent people, general living, archaeology, folk songs: next
three write-ups deal with urdu development in its different phases in J&K,
one on Saadat Hassan Manto and one on a rare aspect of archeology in
Kashmir. In "Kashmir
Ke Mazameen”
he goes into the Kashmir Chronicles still deeper in its two write-ups.
However, this, book again has four write-ups dealing with "Shakhsiat”, four
with “Adab” and one with development of journalisim in J&K. So on and so
forth.
Second
most important aspect of Dr. Brij Premi’s voluminous literary output and
which is rather the pivot of almost all his writings, is Kashmiriat in its
comprehensive sense. There have been virtually countless books on Kashmir but
they pertain to its “Kashmir
Janat Benazeer"
image only. Hardly anyone had tried to peep into what actually
lay behind this “Janat”, how its people lived, what were their peculiar mores
and problems. Dr. Premi had tried to focus on those aspects of the
“Kashmir Janat Benazeer”, As stressed by Mr. M.Y. Taing in his foreword
to Dr. Premi’s book “Jalwa -e-Sadrang”, “Dr. Brij Premi has gone through
thousands of pages regarding the history of Kashmir and has highlighted in a
capsule form some such aspects that new historical and cultural developments
regarding Kashmir get focussed on......this book brings out extremely
significant information about Kashmir and he has done it in an unbiased,
liberal manner.......old writers on Kashmir were unable to observe the
troubles and travails of the people or they did not try to peep into its real
burning interior.
Dr. Brij
Premi has, however, succeeded in presenting to the world actual prominent
image of Kashmir. In this very book, Dr. Brij Premi himself says, "I want to
pen in future, too, such articles which bring into sharp relief outstanding
features of history, culture, personalities and life in
Kashmir”. Dr. Hamdi Kashmiri also
underscores Dr.Premi’s attachment with Kashmiraat , "it is tantamount to
his “Ishaq” with Kashmiraat” Dr. Premi is a researcher and a critic, too . A
particular aspect of Dr. Premi's writings is that before dealing with a
subject of research, he does not limit himself merely to collecting facts and
figures but he also fully examines their veracity which makes his research
very meaningful. “The way he has tried to bring into prominence real contours
of
Kashmir
with painstaking work and sincerity, is commendable."
This going
in-depth in his subject of a research is amply reflected in his book on
Sadat Hassan Manto hailed, as the pioneer publication (which had also earlier
got him the Ph.D. in Urdu from Kashmir University) on that great exponent of
fiction as art in Urdu . This publication has been highly commended both in
India
and Pakistan. But it would not be out of place to emphasise here that Dr. Brij
Premi chose Manto as his research subject not merely, because he had. taken up
Urdu as his medium of expression and Manto was such a tall figure in Urdu
literature, but much more so because Manto was a Kashmiri and Dr. Brij Premi
himself- says in that behalf". Apart from other things, one important reason for
my mental attachment with Manto is that "he was connected with
Kashmir and was undoubtedly the best
representative of the productive genius of this land."
As told to
me by his talented son Premi Romani quite a number of his father's unpublished
works are under print which inter-alia include a collection of his short
stories. I am sure that all these will still more significantly throw light on
several other aspects of Kashmir, the land and the people. There must be still
large areas to work upon in this behalf for any person as passionately immersed
in Kashmiraat as Dr. Brij Premi was.
It was a
tragedy that Dr. Brij Premi breathed his last (on April 20,1990)
at a comparatively small age of just 55 years less than even the average age
that people in India have got now. But perhaps the hard work that he had been
engaged in throughout his life contributed much to this added to by another
tragedy that a person who had been so madly given to Kashmiriat that he had made
it a life mission for himself, had to migrate under highly inimical environs
from Kashmir. Now one can only say that it is not the long life that matters
but it is the work done by one which is really important, more so, if it also
becomes the footprints on the sands of time. I have no doubt that Dr. Brij
Premi’s work on Kashmiraat will inspire many others , too, to drive deeply into
it, that will be the best memorial to him and most of his writings are very
original, which is very admirable factor in any author.
*The author is a scion of well-known Saraf family of
Jammu, whose
contribution to the cause of journalism is well-recognised. Sh. Suraj Saraf is a
veteran journalist and has been writing regularly on literary and cultural
topics.