What Should I Talk Of
R.L. Shant
What should I talk of?
It was my grandmother who knew what to talk
of. You could draw a hundred and one meanings
out of a single thing she said, giving rise to
as many inferences, but to her it bore one
single meaning. I do not know why I had neither
faith nor belief and, what my fickle mind was
fumbling and searching for. Her meaning however
was clear and unambiguous: to hold fast to
dharma and to absolve yourself of the sins in
this short life to put to good use the fleeting
moments of your life and to pave way for
charming other world, to accept gratefully what
God bestows and to own plain simplicity and
rectitude of this world.
Two types of characters only figured in her
talks: the ones who stood by dharma and those
against it The paths of those on whose side God
and the dharma stood were illumined even in the
darkness of this world. Her ingenuous and simple
world had distinctly clear bounds : some fears
and restrictions.
The sustaining aliments were not available in
large measures as compared to our tunes. To
value it and to use it frugally was, therefore,
also a limit and restriction. In case you
scattered some salt about, she would bring home
to you with images that you would be made to
cliff a mountain for every speck of salt you
cast down, there in Nagra, the Nagra that stood
beyond the bounds of this janama. It is true
that all her talks and characters were held in
leash by the fear of hell. Its fearsome shadow
was on the prowl for every breath and hovering
above to swoop upon.
Our old generation nurses us a grudge that we
entertain no fears and keep to no limits and
restrictions, neither those from God, nor from
man, none relating to aliments, dharma and creed
Very likely the old characters would be
dumbed and exhausted long before they developed
in the world to which we have beer; condemned.
They do not perceive this, or even when they
perceive it, do not acknowledge that. It is not
that we reply to them, but there is luck in
their favour. Today's character has no grit to
stick to it, he gets a tongue-tie before he
speaks. His self-esteem knows no restraint, he
is unmindful of what others think. He, instead
of hiding his flaws and foibles, exposes them to
the full gaze of others. laughing under the
sleeves, lifting countless slabs on their
eyelashes. What restrictions shall he accept?
What shall be his values? What is his life? Was
it given to him on his asking?... May be he
would not have liked to be born.
His breaths? He has been giving an account of
them ever since he began to take them, and this
debt is ever increasing day by day. Sustaining
aliment? A siren call from across the sandy
desert is only leading him astray.
His society? Its Monaliza-smile was ever an
enigma to him. All along his life, he has been
trying to fit himself to its measure,. now
falling short and then brimming over its
confines.
His Narga is to lose his way; he sticks to it
only to keep up with his neighbours. He lives
only to die shattered to pieces after a brief
period. These brief fleeting moment are to be
given a meaning.
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